Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Kuhn Justus Engelhardt
Portrait of Charles Carroll d'Annapolis

ID: 80350

Kuhn Justus Engelhardt Portrait of Charles Carroll d'Annapolis
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Kuhn Justus Engelhardt Portrait of Charles Carroll d'Annapolis


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Kuhn Justus Engelhardt

German artist d.1717  Related Paintings of Kuhn Justus Engelhardt :. | Portrait of a Man sg | Portrait of Empress Eugenie | Twenty Cent Movie | Still-Life with Flowers and Fruit sg | On the Road |
Related Artists:
Alfred vickers
1786-1868
Christoph Amberger
(c. 1505 --1562) was a painter of Nernberg in the 16th century, a disciple of Hans Holbein, his principal work being the history of Joseph in twelve pictures. Amberger travelled to Northern Italy and Venice between 1525 and 1527. He died in Augsburg.
Jacob Maris
(August 25, 1837, The Hague - August 7, 1899, Karlsbad) was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. Maris studied at the Antwerp Academy, and subsequently in Hubertus van Hove's studio during a stay in Paris from 1865 till 1871. He returned to Holland when the Franco-Prussian War broke out, and died there in August 1899. Though he painted, especially in early life, domestic scenes and interiors invested with deeply sympathetic feeling, it is as a landscape painter that Maris excelled. He was the painter of bridges and windmills, of old quays, massive towers, and level banks; even more was he the painter of water, and misty skies, and chasing clouds. In all his works, whether in water or oil color, and in his etchings, the subject is always subordinate to the effect. His art is suggestive rather than decorative, and his force does not seem to depend on any preconceived method, such as a synthetical treatment of form or gradations of tone. And yet, though his means appear so simple, the artist's mind seems to communicate with the spectator's by directness of pictorial instinct, and we have only to observe the admirable balance of composition and truthful perspective to understand the sure knowledge of his business that underlies such purely impressionist handling.






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